Charlotte Posenenske (Germany, 1930-1985) is considered a key figure on the interface between Conceptual Art and Minimalism. Her work was brief yet powerful: she worked from 1959 to 1968.
You can see a work of art by the German artist Charlotte Posenenske against the façade of the Braem Pavilion. Posenenske (Germany, 1930-1985) is considered a key figure on the interface between Conceptual Art and Minimalism. Her work was brief yet powerful: she worked from 1959 to 1968.
A symposium on colonial monuments gathering scholars, artists and cultural workers to reflect upon historical attitudes, healing gestures, artists’ responses, and institutional choices.
At the back of the collection pavilion, one work occupies the spotlight. The aim is to discover, together with the public, how works of art collect additional meanings and sometimes evolve physically.
